Sometimes you go to the theater for something familiar—a production of The Music Man, for example, in which you can sing all of the songs and even recite some of the dialogue in your head. It’s comforting, this visit with an old friend. At other times you are in your seats before the curtain rises, knowing virtually nothing of what’s about to appear on stage. You’re waiting to be surprised.
The World Is Not Silent, a regional premiere just opening at Northern Stage by playwright Don X. Nguyen, is the surprise kind of theater. The curtain (metaphorically) rises and you are in the middle of a multi-lingual play where the characters speak Vietnamese, or English, or American Sign Language (ASL), or (and who knew this?), Vietnamese Sign Language (VSL), singly or in combination. (Subtitles are provided as needed.) The settings include a home in Nebraska, and space, both outer- and cyber-. Don (Paul Yen) is an astrophotographer capturing images with complicated and tediously precise equipment for his vlog. Linh (Mai Lê) teaches VSL on YouTube to an international following. Don’s father Dau (Peter Trinh) makes do with old school radio technology, broadcasting a show in Vietnamese for his local community.
The play explores communication in many forms: spoken languages, gestures, and the silences between father and son. Don has recently come home to live with his father who is losing his hearing. How to communicate around impending deafness is but one problem. The bigger one is an amalgam of lifelong barriers that have kept father and son from communicating at all.
The opening scenes are funny—it’s in part a comedic play—in what at first seems a superficial sort of way, with debates over the menu for Thanksgiving dinner and whether one can attend in pajamas. As the drama unfolds, the stories of the two male characters are offered up piecemeal. Don is guarded, feeling the recent loss of his mother, facing memories of childhood in an immigrant household. Dau misses his wife—his grief never shared, expressed only in his solitude —and reminisces about fleeing Vietnam with his family and settling as refugees in America.
Enter Linh. She brings energy to the home, sussing out the reluctance of both men to engage with each other. She is both a buffer and a savior, carrying her skills of multi-lingualism into the household. By the end of the play, something has shifted. And the final scenes, so poignant, also manage to draw the unexpected belly laugh.
I liked this production. If you are of a certain age, the experience of Vietnam never leaves, and seeing this play reinforces that connection. If I have a quibble, it may be with the play itself. Perhaps it is realistic and creative to have the story of this family presented in pieces, threaded throughout the humorous bits, what might be called a possible (if weak) romance between the younger pair, and the facts and figures about astrophotography. I found myself drawn into the characters’ history with every new partial revelation, and wanted to know more.
(Photos by permission of Northern Stage, photo credit: J. Bailey Burcham. The World Is Not Silent runs through February 22, 2026 at the Barrette Center in downtown White River Junction, Vermont. )
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On February 20, Northern Stage will be offering an American Sign Language (ASL) interpreted performance as a more accessible theater viewing experience for patrons who are deaf or hard of hearing. For this performance, Interpreters will be located near the stage. Patrons have the option to reserve seating in the front of the theater that provides the best sight lines to follow the interpretation alongside the action onstage.
To access $40 reserved seating in view of the interpreters, please contact the box office at (802) 296-7000, or email boxoffice@northernstage.org.
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And in case you are wondering . . . Susan B. Apel shuttered a lifelong career as a law professor to continue an interest (since kindergarten) in writing. Her freelance business, The Next Word, includes literary and feature writing; her work has appeared in a variety of lit mags and other publications including Art New England, The Woven Tale Press, The Arts Fuse, Next Avenue, and Persimmon Tree. She connects with her neighbors through Artful, her blog about arts and culture in the Upper Valley. She’s in love with the written word.