Dean Majd’s “Hard Feelings” Expands the Emotional Register of Masculinity
In his debut solo exhibition at BAXTER ST, the photographer depicts intimacy, grief, fraternity and joy among men with rare candor.
Interviews
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Pier Paolo Calzolari On the Quiet Alchemy of Time
"For me, Arte Povera was about understanding everything as part of a broader whole, trying to merge with it, to understand it, to follow it in some way. There is a kind of familiarity with things," the artist told Observer.
Nunu Hung’s Year of Ambition, Intellectual Depth and Unapologetic Openness
"The program is more than simply a series of individual exhibitions that end once they are deinstalled; when audiences look back on the full arc of the year, I hope they see a space deeply committed to intergenerational, intersectional and global narratives," she tells Observer.
