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Magellan (Lav Diaz, 2025)
Since 2001’s Batang West Side, Lav Diaz’s unique position in the festival circuit is connected to the punishing runtime of his films, which are…
Feb 9 • Eric Zhu
Charli XCX's Moment + Notes on Sundance
XCX World, XCXoplex, XCXHEXRXRXIXEXSX
Feb 6 • Eric Zhu
Debut (Julian Castronovo), 28 Years Later: The Bone Temple (Nia Dacosta)
On two new pieces of end-times cinema
Jan 26 • Eric Zhu
Most Popular
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Where to Land: The Best Films of 2025
Dec 25, 2025 • Eric Zhu
"Your Being Manipulated": On Ari Aster's Eddington
Jul 18, 2025 • Eric Zhu
The Insert July 2025: The Best Films of the Year (thus far)
Jun 30, 2025 • Eric Zhu
The Best Films of 2024
Dec 30, 2024 • Eric Zhu
The Shrouds (David Cronenberg, 2024)
Apr 28, 2025 • Eric Zhu
The Hills are Alive: On Kiarostami's The Wind Will Carry Us
Jul 10, 2025 • Eric Zhu
Is This Thing On?, Good Valley Stories
On new films from Bradley Cooper and José Luis Guerin
Jan 15 • Eric Zhu
Father Mother Sister Brother (Jim Jarmusch, 2025), Where to Land (Hal Hartley, 2025)
Father Mother Sister Brother (Jim Jarmusch, 2025):
Jan 9 • Eric Zhu
Distant Voices, Still Lives (Terence Davies, 1988)
Although Terence Davies would continue to direct singularly lyrical features over the course of his four decade career, the tender, autobiographical…
Jan 6 • Eric Zhu
Where to Land: The Best Films of 2025
The Year in Review
Dec 25, 2025 • Eric Zhu
Avatar: Fire and Ash (James Cameron, 2025)
The third entry in James Cameron’s record-setting Avatar franchise is an exciting, if familiar retread of 2022’s The Way of Water.
Dec 16, 2025 • Eric Zhu
Marty Supreme (Josh Safdie, 2025)
or Where Now Are the Dreams of Youth?
Dec 1, 2025 • Eric Zhu
EOY: Afternoons of Solitude
On Albert Serra's Cahiers-topping bullfighting doc
Nov 29, 2025 • Eric Zhu
The Insert
The Insert
A newsletter about arthouse film, experimental film, and notable Seattle theatrical releases
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